I Ching Hexagram 54 symbol: THE MARRYING MAIDEN (Kuei Mei)

Hexagram 54. THE MARRYING MAIDEN

Kuei Mei

The Judgement

THE MARRYING MAIDEN. Undertakings bring misfortune. Nothing that would further.

The Image

Thunder over the lake: The image of THE MARRYING MAIDEN. Thus the superior man understands the transitory In the light of the eternity of the end.

The Lines

6

Six at the top

The woman holds the basket, but there are no fruits in it. The man stabs the sheep, but no blood flows. Nothing that would further.

The Image says: 'The six at the top has no fruits.' She is holding an empty basket.

5

Six in the fifth place

The sovereign I gives his daughter in marriage. The embroidered garments of the princess were not as gorgeous as those of the serving maid. The moon that is nearly full brings good fortune.

The Image says: 'The sovereign I gives his daughter in marriage. The embroidered garments of the princess were not as gorgeous as those of the serving maid.' The place is in the middle, and she goes as a person of rank.

4

Nine in the fourth place

The marrying maiden draws out the allotted time. A late marriage comes in due course.

The Image says: 'The will to draw out the allotted time' is to wait before going.

3

Six in the third place

The marrying maiden as a slave. She marries as a concubine.

The Image says: 'The marrying maiden as a slave.' This is not yet appropriate.

2

Nine in the second place

A one-eyed man who is able to see. It furthers the perseverance of a solitary man.

The Image says: 'It furthers the perseverance of a solitary man,' because the regular course has not yet been changed.

1

Nine at the beginning

The marrying maiden as a concubine. A lame man who is able to tread. Undertakings bring good fortune.

The Image says: 'The marrying maiden as a concubine.' This is the regular course. 'A lame man who is able to tread brings good fortune,' because they support each other.

The Wisdom of Hexagram — An Eastern Perspective

The Marrying Maiden and the Four Paths of Love

Hexagram 54 (Kuei Mei/The Marrying Maiden) explores the complexities of a relationship driven by desire rather than duty. Unlike the orderly procession of Hexagram 53 (Gradual Progress), Kuei Mei represents the impulsive union—often symbolizing a woman marrying into a secondary position, or a partnership formed in haste.

Because the foundation is unstable, the I Ching advises that Virtue must compensate for Position.

The text advises those in humble circumstances or with average means not to aim too high or force a connection. Instead, like a wise secondary wife, one should cultivate gentleness and support the family from the background. For those with true talent and beauty, the lesson is Dignity—holding back and not selling oneself short. The ultimate archetype of this hexagram is the "Daughter of Emperor Yi" (Line 5). Though born a princess, she dresses more simply than her maids. This teaches that in a marriage, true nobility lies in humble character, not in the luxury of one's dowry.

However, the hexagram ends with a haunting image of failure: "The woman holds a basket with no fruit; the man stabs a sheep but draws no blood." This warns that without genuine sincerity, any marriage—no matter how passionate the start—remains a hollow ritual, bearing no future.

The Four Paths of Intimacy in the I Ching

To fully understand relationships, one must view Kuei Mei in the context of its three siblings: Hsien (31), Hêng (32), and Chien (53). Together, they form a complete map of human love.

The Spark vs. The Impulse: Hsien represents the pure, reciprocal attraction of young love—it is "Stopping to feel Joy," sincere and focused. In contrast, Kuei Mei is "Moving upon Joy"—it is desire leading action, where the woman pursues the man, often losing propriety in the rush of passion.

The Ritual vs. The Routine: Chien is the formal, respectful marriage, where every step follows protocol (Man seeks Woman), ensuring everything is in its right place. Hêng, on the other hand, deals with the long reality after the wedding—the enduring, daily responsibility where the couple finds stability in routine (Husband leads, Wife follows).

Summary: While Hsien and Kuei Mei deal with the Emotions of love (one pure, one reckless), Hêng and Chien deal with the Institutions of marriage (one based on endurance, the other on protocol). Together, they teach us that while passion is the beginning, only propriety and constancy make love last.

Structural Relatives

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